Graffiti in u'r Body

Monday, November 16, 2009

BLAST FROM THE PAST

Here's an interview by Galerie d'art Yves Laroche with Omen, of Taichung Four Crew. Omen is currently painting in Montreal.













YL :You've lived in Asia for  a minute, right? Tell me about painting nights there.

O : It was awesome! I lived in Taichung,Taiwan. I lived there for 4 years. I can bust Chinese and everything. When I got there there was only about 12 graffiti writers in the whole country! With a population of around 25 million  you can see how that is just crazy. I was bombing around town with this paint called PP SPRAY ( all the pressure and twice the lead.haha.) with stock caps no less. And I saw some other guys were bombing as well. Mostly 3 other guys but I had no way of meeting them. So one day I was walking by my piece and underneath it was sprayed "omen. do you want to paint with me" and 2 check boxes with "yes" and  "no". later that night I checked "yes" and then went to another spot and dropped a piece with my email address. But before they could reply to that message my friend Jessica told me she ran into them (it was two guys SAME and BOBO) and they were coming to the restaurant I was eating at. It was pretty awkward because my chinese at this point sucked and all we were doing was meeting to paint. After that we did the first production in Taichung the largest piece in all of Taiwan and went bombing pretty much all the time together. I miss them. It's not the same as here. There you have freedom at the price of no laws while here it is the opposite. One day. One day. Now there is at least 30 writers there , ha, and I keep track of what is going on there via flickr.

Love Minus Zero/ No Limit

I don't get to get out as much anymore to find new graf around town, but this is right across the street from my house, so it was something to do on a busy Sunday. Seems like someone working in my neighborhood who calls himself Zero. I hope to see some more of his stuff soon.


















There was also some stuff left over from when the lot was a bar that I never saw open.

Angel Baby

There have been a couple new stencils here and there around town. Here's one from the corner of Da Long and Dong Hsing Rd.


Sunday, November 8, 2009

On the Anniversary of President Obama's Win

SNL delivers a hefty chuckle moment (a rare instance these days...Ha!) with this send-up of Fox News assessment of Obama's year in the White House. While we're all waiting for the Health Care Plan to hopefully pass the Senate, we can all have a laugh in between time.

Monday, October 5, 2009

Why Jay-Z Defies Ageism in Hip-Hop Music


The buzz and controversy surrounding Jay-Z’s single “D.O.A. (Death of Auto-Tune) ” this past summer, while putting the 39-year-year MC in the position of wrathful daddy against a new generation of rap artists—some reliant upon the voice gadget for relevance and sales—once again broached the issue of ageism within hip-hop music. Whether it was the Game’s swipe at the rap mega-star, leading European audiences in anti-Jay-Z chants of  “Old a-- n-----!”  Or T-Pain’s tirade against Jigga on stage at a Las Vegas nightclub (“Jay-Z is 59 years old. I don't think he has the right to say what's good and what's not…”).  The expiration date on a rap star’s career, particularly Jay’s, was the hot topic of blogs and barbershops. But unlike many a rap star who hit the age/time limits of the genre and slowly fade into history, Jay-Z continues to defy the rules of the aged rapper. Sitting atop the Billboard 200 for the past 3 weeks, headlining the much-lauded 9/11 benefit at Madison Square Garden, and interviews with Oprah and Bill Maher are undeniable proof that Jay’s iconic stature continues to expand where, under different circumstances, it would recede. How has he managed to stave off irrelevance while turning 40. What the heck does Jay have, besides money, that still makes him an exciting part of the genre. I’ve been waiting for someone to give some definite reasons, but since none have materialized I thought I’d give it a shot.

5). Duh. Jay-Z Has Mastered the Art of Satisfying both Hardcore Fans and the Mainstream.
I know. I know. That's a given. That’s why this one is last. But there have been his missteps in trying to adapt to a changing hip-hop landscape (most noted has always been the video for “Sunshine”).  But for the most part, Hov has been a master at making music that walks the fine line between hardcore and pop. (An easy task when considering that hardcore and gangsta has been pop for over a decade.) Not to mention that having marketing tools like radio, magazines and MT…oh, hell, let’s just say Viacom, in your pocket helps as well.

4). Growing His Image as a Corporate Player Has Been A Major Part of Building his Longevity.
Unlike, say, Master P, who built the bulk of his pop image as a mogul who played the industry (celebrity that faded with the fall of P’s No Limit label) Jay-Z used his growing corporate power as a way to void his expiration date. First he was the hot rapper. Then he was the hottest rapper. Next, he was the hottest rapper and co-owner of the freshest label and clothing/sneaker line. Finally, he retires (kicking that off with a platinum disc), ditches his label to head Def Jam and remains an industry player, signing the next generation of rap and pop music icons. During the two year hiatus he gets even more mainstream press and buzz from the street and…you get where this is going. In being the former drug dealer who maneuvered his way into the boardroom to become legit plays into Jay’s allure and mystique, an image that titillates both Hollywood and corner folk.

3).  The Rap Industry Still Follows the Book of Hova.
Where Jay was birthed by the architects of rap’s golden era—artists like Rakim, Kane and KRS, the current school of hip popper was inspired by rap’s golden age of money (1998-2000), which was heavily shaped by Jay-Z (helped, in part. by the departure of Biggie). Whether it’s Lil Wayne or Young Jeezy or Souljah Boy or any upstart looking to be the next rap street messiah, Hova ‘s “blueprint” for building and sustaining a loyal fan base has been (and is still being) borrowed.

2). Miraculously, He Maintains a Certain Power to Dictate What is (and What's Not) Cool.
Not long ago, we can remember Jay-Z influencing rap’s laundry list for the materialistic, injecting dreams of “ice” (and all the cold descriptions for diamonds) and Bentleys. Or, better yet, how Hov shut down the throwback jersey craze with the line, “I don't wear jerseys, I'm thirty plus. Give me a crisp pair of jeans, nigga button up.”  Well, given the uproar over “D.O.A.” and the challenges from younger artists defending their use of Auto Tunes, shows Jay still has the power to quickly upend the status quo. Besides, he has the money, influence and word-skill that none of the young’uns can match, which brings us to the top reason Jay defies ageism.

1). With the Dumbing-Down of Rap, Jay-Z Maybe Old but His Style Ain’t.
Used to be when a rapper was tagged “old” or washed up, folks were referring to the MC’s rhyme style and beats. Eventually, said rhymer was eclipsed by a young punk with innovation in her/his rhythmic poetry. Much the way Kool Mo Dee ‘s word-centered style ushered in the bygone days of crowd-focused MCs like Busy Bee.  Or Run-DMC’s hardcore minimalism erased the era of Bronx pioneers like the Furious 5. Or N.W.A’s gut-busting realism took the shine from the pioneers of rap’s golden era.  Being  dethroned meant your style was obsolete. But the genre no longer spins on an axis of creativity and style….and Jay-Z knows this, man. So it’s easy for him not only to uphold his status as the “Greatest Rapper Alive” (though President Obama maybe taking his spot…), but to write pop lyrics… or spank any upstart who wants to battle him, but has nothing in his arsenal other than the insult that Jay-Z is old.

If you disagree or have other reasons, speak your piece…











Thursday, September 17, 2009

Blog Theatre: Maestro—Larry Levan & Early DJ Culture

While fiending for new soulful house music and club tunes I haven't heard in years, I came across this documentary, a thorough and entertaining dissection of disco/club's foundation on the dance floor and on wax. Being the former Zanzibar and Choice head that I am, I had to throw this up for the faithful, old and new. I will post in parts. Here's the first four. So if you have time to watch, click on and enjoy!

Part 1:



Part 2:


Part 3:


Part 4:
Graffiti in u'r Body